"Flammen, WV 93, Act II Scene 8 (Sung in German): Du gehst durch Nacht [Live]" by Erwin Schulhoff, Raymond Very, Stephanie Friede, Karl-Michael Ebner, Markus Raab, ORF Vienna Radio Symphony Orchestra, Bertrand de Billy was released on April 2, 2021. Since Flammen, WV 93, Act II Scene 8 (Sung in German): Du gehst durch Nacht [Live] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Schulhoff: Flammen, WV 93 (Live)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Flammen, WV 93, Act II Scene 8 (Sung in German): Du gehst durch Nacht [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flammen, WV 93, Act II Scene 8 (Sung in German): Du gehst durch Nacht [Live] by Erwin Schulhoff, Raymond Very, Stephanie Friede, Karl-Michael Ebner, Markus Raab, ORF Vienna Radio Symphony Orchestra, Bertrand de Billy having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in D Minor, Op. 32: No. 3, Elegia. Adagio | Anton Arensky, Smetana Trio | G Minor | 0 | 6A | 89 BPM | ||
Quatuor en Fa Majeur, M. 35: III. Très lent | Maurice Ravel, Jerusalem Quartet | D♭ Major | 0 | 3B | 92 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
18 Miniatures for Violin & Piano: No. 1, Lontano | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | B♭ Minor | 3 | 3A | 123 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: VIII. Des Helden Vollendung | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | C Minor | 3 | 5A | 76 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Altar de cuerda: I. Morisco chilango | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | B♭ Major | 5 | 6B | 129 BPM | ||
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM |
Section: 0.6186850070953369
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