Alessandro Scarlatti, Teresa Berganza, Ricardo Requejo's 'Se Florindo è fedele (from "La donna ancora è fedele")' came out on January 1, 2005. The duration of Se Florindo è fedele (from "La donna ancora è fedele") is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Se Florindo è fedele (from "La donna ancora è fedele")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 105 in Brava Berganza by Teresa Berganza. The popularity of Se Florindo è fedele (from "La donna ancora è fedele") is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Se Florindo è fedele (from "La donna ancora è fedele") by Alessandro Scarlatti, Teresa Berganza, Ricardo Requejo is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mentre un Zeffiro arguto, H. 421: Aria. Non più lacci, non più strali | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | E♭ Minor | 1 | 2A | 109 BPM | ||
Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro | Johann Sebastian Bach, Petra Mullejans, Gottfried Von Der Goltz, Anne-Katharina Schreiber | D♭ Major | 3 | 3B | 97 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 71 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM |
Section: 0.8991096019744873
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