"Cecilia: Grazie, sorelle!" by Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder was released on February 2, 2024. The duration of Cecilia: Grazie, sorelle! is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Cecilia: Grazie, sorelle!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 25 in Breathe by Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cecilia: Grazie, sorelle! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cecilia: Grazie, sorelle! by Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Trittico Francescano, Quadro secondo, Le stimmate: Ancora non s'imbianca | Licinio Refice, Orchestra Sinfonica di Vratza, Leonardo Quadrini, Mauro Gizzi, Coro Josquin des Près di Ceccano | D♭ Major | 3 | 3B | 75 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Stabat Mater, FP 148: 1. Stabat Mater dolorosa | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | D Major | 1 | 10B | 90 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Manon Lescaut: Act IV: Sola, perduta, abbandonata | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM |
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