"Colore orientale, Op. 44, No. 3 (arr. for orchestra)" by Giuseppe Martucci, Rome Symphony Orchestra, Francesco La Vecchia was released on June 30, 2009. Since Colore orientale, Op. 44, No. 3 (arr. for orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Giuseppe Martucci, Francesco La Vecchia's "Martucci, G.: Orchestral Music (Complete), Vol. 4 - Piano Concerto No. 2 / Momento Musicale E Minuetto / Novelletta" album is number 7 out of 7. In terms of popularity, Colore orientale, Op. 44, No. 3 (arr. for orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Colore orientale, Op. 44, No. 3 (arr. for orchestra) by Giuseppe Martucci, Rome Symphony Orchestra, Francesco La Vecchia to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2, Op. 28: I. Allegro dramatico | Sergei Bortkiewicz, David Porcelijn, Janacek Philharmonic Orchestra, Stefan Doniga | E♭ Minor | 2 | 2A | 102 BPM | ||
Piano Sonata in G Minor: I. Allegro | Clara Schumann, Jozef De Beenhouwer | E♭ Major | 1 | 5B | 72 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 1 in G Minor | Jean Sibelius, Håvard Gimse | D Minor | 0 | 7A | 133 BPM | ||
Sibelius: Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Paavo Järvi, Jesper Harryson, Royal Stockholm Philharmonic Orchestra | E Minor | 1 | 9A | 88 BPM | ||
Clarinet Trio in E-Flat Major, Op. 44: I. Andante - Allegro moderato | Louise Farrenc, Dieter Klöcker, Peter Horr, Werner Genuit | E♭ Major | 1 | 5B | 130 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Capriccio No. 1 in D-Flat Major, Op. 2 | Giuseppe Martucci, Angelo Martino | D♭ Major | 1 | 3B | 177 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Piano Trio in G Minor, Op. 17: Allegretto | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | D Major | 2 | 10B | 121 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM |
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