Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda's 'La Cenerentola (Cinderella): Act I Scene 1: Chorus - Scegli la sposa / Cavatina: Come un’ape ne’giorni d’aprile (Chorus, Dandini, Clorinda, Tisbe, Magnifico, Ramiro)' came out on September 1, 2005. Since La Cenerentola (Cinderella): Act I Scene 1: Chorus - Scegli la sposa / Cavatina: Come un’ape ne’giorni d’aprile (Chorus, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 33 in the song's album "Rossini: Cenerentola (La) (Cinderella)". In this album, this song's track order is #8. In terms of popularity, La Cenerentola (Cinderella): Act I Scene 1: Chorus - Scegli la sposa / Cavatina: Come un’ape ne’giorni d’aprile (Chorus, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Cenerentola (Cinderella): Act I Scene 1: Chorus - Scegli la sposa / Cavatina: Come un’ape ne’giorni d’aprile (Chorus, Dandini, Clorinda, Tisbe, Magnifico, Ramiro) by Gioachino Rossini, Joyce DiDonato, Jose Manuel Zapata, Paolo Bordogna, Bruno Pratico, Patrizia Cigna, Martina Borst, Luca Pisaroni, Marco Bellei, Prague Chamber Chorus, SWR Symphony Orchestra, Alberto Zedda having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Carmina Burana / 2. In Taberna: "Estuans interius" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 84 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Minuet in G Major, WoO 10, No. 2 | Ludwig van Beethoven, I Musici | G Major | 1 | 9B | 95 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
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