Darius Milhaud, Michel Béroff, Noël Lee, Christian Ivaldi, Jean-Philippe Collard made "Paris, Suite Pour 4 Pianos : IV Bateaux-Mouches - Remasterisé En 1988" available on 2001. With Paris, Suite Pour 4 Pianos : IV Bateaux-Mouches - Remasterisé En 1988 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Darius Milhaud, Georges Prêtre's "Milhaud : Music for 2 pianos/Carnaval d'Aix/Suites" album is number 9 out of 36. In terms of popularity, Paris, Suite Pour 4 Pianos : IV Bateaux-Mouches - Remasterisé En 1988 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Paris, Suite Pour 4 Pianos : IV Bateaux-Mouches - Remasterisé En 1988 by Darius Milhaud, Michel Béroff, Noël Lee, Christian Ivaldi, Jean-Philippe Collard to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 129 BPM | ||
14 Songs, Op. 34: No. 14. Vocalise in E Minor (arr. L. Rose) | Sergei Rachmaninoff, Leonard Rose, Martin Fröst, Roland Pöntinen | E Minor | 0 | 9A | 73 BPM | ||
Hommage à Manuel de Falla | Bela Kovacs, André Moisan | A Minor | 1 | 8A | 73 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 1 | 9A | 81 BPM | ||
Hommage à J Sebastian Bach | Béla Kovács, José María Belló García | B Minor | 1 | 10A | 120 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM |
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