"Pagliacci / Act II: "Versa il filtro ne la tazza sua!"" by Ruggero Leoncavallo, Joan Carlyle, Ugo Benelli, Carlo Bergonzi, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan was released on January 1, 1966. The duration of Pagliacci / Act II: "Versa il filtro ne la tazza sua!" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Pagliacci / Act II: "Versa il filtro ne la tazza sua!"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Carlo Bergonzi, Joan Carlyle, Giuseppe Taddei, Ugo Benelli, Rolando Panerai, Giuseppe Morresi, Franco Ricciardi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano, Roberto Benaglio's "Leoncavallo: I Pagliacci" album is number 22 out of 24. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Pagliacci / Act II: "Versa il filtro ne la tazza sua!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act II: "Versa il filtro ne la tazza sua!" by Ruggero Leoncavallo, Joan Carlyle, Ugo Benelli, Carlo Bergonzi, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | E Major | 0 | 12B | 89 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Parlami d'amore Mariù | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 87 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 113 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
"Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM |
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