"Lasciate Averno, o Pene, e me Seguite!" by Luigi Rossi, The King's Noyse, Ellen Hargis was released on 2000. Since Lasciate Averno, o Pene, e me Seguite! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Pavaniglia - Dances & Madrigals from 17th-century Italy". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Lasciate Averno, o Pene, e me Seguite! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lasciate Averno, o Pene, e me Seguite! by Luigi Rossi, The King's Noyse, Ellen Hargis having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
Maria, quid ploras | Claudio Monteverdi, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 80 BPM | ||
Laudate pueri: Sit nomen Domini (Salmo 112), RV 600 | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli | E♭ Major | 1 | 5B | 83 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad cor: Concerto a 3 voci "Vulnerasti cor meum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Netti: L'Adamiro, Act 1: "Quanto più la donna invecchia" (Crinalba) | Giovanni Cesare Netti, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Maddalena ai piedi di Cristo: No. 12 Aria Amor Celeste "Spera, consolati" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E♭ Minor | 2 | 2A | 105 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Dormite, begl'occhi, dormite" (Coro delle Grazie) | Luigi Rossi, Violaine Le Chenadec, Caroline Bardot, Lucille Richardot, Ensemble Correspondances, Sébastien Daucé | G Minor | 3 | 6A | 169 BPM |
Section: 0.6082785129547119
End: 0.6133754253387451