"Lohengrin: Act I Scene 3: Zum Kampf fur eine Magd zu steh'n (Lohengrin)" by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch was released on March 1, 2015. The duration of Lohengrin: Act I Scene 3: Zum Kampf fur eine Magd zu steh'n (Lohengrin) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Lohengrin: Act I Scene 3: Zum Kampf fur eine Magd zu steh'n (Lohengrin)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Lohengrin by Richard Wagner, Fritz Busch. The song's track number on the album is #12 out of 50 tracks. Based on our data, United States was the country where this track was produced or recorded. Lohengrin: Act I Scene 3: Zum Kampf fur eine Magd zu steh'n (Lohengrin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act I Scene 3: Zum Kampf fur eine Magd zu steh'n (Lohengrin) by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin: Act I Scene 3: Zum Kampf fur eine Magd zu steh'n (Lohengrin) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Don Giovanni, K. 527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Josef Krips, Wiener Philharmoniker, Vienna State Opera Chorus, Cesare Siepi, Fernando Corena, Kurt Böhme, Suzanne Danco, Kurt Boehme, Anton Dermota, Lisa della Casa, Hilde Gueden, Walter Berry | B♭ Major | 3 | 6B | 80 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Mahler: Symphony No. 8, "Symphony of a Thousand": II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" (Chorus Mysticus) | Gustav Mahler, Elizabeth Connell/Edith Wiens/Dame Felicity Lott/Trudeliese Schmidt/Nadine Denize/Richard Versalle/Jorma Hynninen/Hans Sotin/London Philharmonic Choir/Tiffin School Boys' Choir/London Philharmonic Orchestra/Klaus Tennstedt, Klaus Tennstedt, London Philharmonic Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro) | Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor | B♭ Major | 2 | 6B | 90 BPM |
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