Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale made "Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise—" available on April 21, 2023. The duration of Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise— is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise—'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise— is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise— by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees— | Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | B Major | 2 | 1B | 125 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
The Lake | Thomas Adès | D Minor | 0 | 7A | 166 BPM | ||
L'Oiseau de feu (1911 Version): XIX. Disparition du palais et des sortilèges de Kastchei - Animation des chevaliers petrifiés. Allegresse génerale | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 2 | 5A | 89 BPM | ||
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro | Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck | A♭ Major | 0 | 4B | 95 BPM | ||
Music for Ensemble and Orchestra: III. Quarters | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade IV | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | D Minor | 0 | 7A | 82 BPM | ||
Concerto in D Major, Op. 35a: II. Quasi andante | Ferruccio Busoni, Francesca Dego, BBC Symphony Orchestra, Dalia Stasevka | C Major | 0 | 8B | 107 BPM | ||
Symphony No. 3 In C Major, Op. 43, "Le Divin Poeme" (The Divine Poem): I. Lento | Moscow Symphony Orchestra, Dmitri Lokalenkov, Alexander Scriabin | D Major | 0 | 10B | 165 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM |
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