"Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees—" by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale was released on April 21, 2023. Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees— is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees—'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees— by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Reminiscentia / Autumn Landscapes: II. Clouds Racing Across the Sky | Veljo Tormis, Tallinn Chamber Orchestra, Tõnu Kaljuste | E Minor | 0 | 9A | 102 BPM | ||
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM | ||
Symphony No. 1: I. Allegro con moto | Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 1 | 7A | 129 BPM | ||
Piano Concerto No. 1 in F-Sharp Minor, Op. 1 (1917 Final Version): III. Allegro vivace | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | A♭ Major | 3 | 4B | 79 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen | G Major | 4 | 9B | 155 BPM | ||
Symphony No. 3 in D Minor: Part 2, II. Tempo di Menuetto. Grazioso | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | B Minor | 0 | 10A | 75 BPM | ||
Nocturne | Mieczysław Weinberg, Gidon Kremer, Kremerata Baltica | C Major | 1 | 8B | 63 BPM | ||
Devils Train | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM |
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