"Lutoslawski: Cello Concerto: II. Four episodes" by Witold Lutosławski, Mstislav Rostropovich, Orchestre de Paris was released on 1969. Since Lutoslawski: Cello Concerto: II. Four episodes is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 12 in Dutilleux: Tout un monde lointain - Lutoslawski: Cello Concerto - Jolivet: Cello Concerto No. 2 by Mstislav Rostropovich. Based on our statistics, Lutoslawski: Cello Concerto: II. Four episodes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lutoslawski: Cello Concerto: II. Four episodes by Witold Lutosławski, Mstislav Rostropovich, Orchestre de Paris is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: V. Socrates. Alcibiades. Molto tenuto - Allegro molto vivace | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Variations on an Original Theme Enigma, Op. 36: III. Variation II - H. D. S. - P. | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | D Major | 3 | 10B | 156 BPM | ||
String Quartet No. 2, Op. 10: II. Sehr rasch | Arnold Schoenberg, Malin Hartelius, Gringolts Quartet | C Major | 1 | 8B | 115 BPM | ||
Pezzo capriccioso in B Minor, Op. 62 | Pyotr Ilyich Tchaikovsky, Karoly Botvay, Budapest Strings | C Major | 1 | 8B | 135 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Flute Concerto, FS 119: II. Allegretto, un poco | Carl Nielsen, Adam Walker, Bergen Philharmonic Orchestra, Edward Gardner | G Major | 1 | 9B | 92 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM |
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