Francesco Cavalli, Christina Pluhar, L'Arpeggiata's 'Cavalli / Arr Pluhar: La Calisto, Act 1: "Non è maggior piacere"' came out on October 23, 2015. With this song being about 5 minutes long, at 4:38, "Cavalli / Arr Pluhar: La Calisto, Act 1: "Non è maggior piacere"" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 16 in Cavalli: "L'amore innamorato" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata. Based on our statistics, Cavalli / Arr Pluhar: La Calisto, Act 1: "Non è maggior piacere"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli / Arr Pluhar: La Calisto, Act 1: "Non è maggior piacere" by Francesco Cavalli, Christina Pluhar, L'Arpeggiata is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Xerse, Act II Scenes 7, 9 & 10: Sciocco è ben chi crede a femina - Arsamene, ove andate? - V'inchino - Live | Francesco Cavalli, Gaia Petrone, Aco Bišćević, Carlo Vistoli, Dioklea Hoxha, Orchestra Barocca Modo Antiquo, Federico Maria Sardelli | A Minor | 2 | 8A | 106 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Anonymus: Chiaccona a 4 in C Major | Anonymus, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 71 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM | ||
Lumi, potete piangere | Giovanni Legrenzi, Christina Pluhar | G Minor | 0 | 6A | 86 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Gli amori d'Apollo e di Dafne, Act III: Act III Scene 1: E sarai cosi, estolta (Filena, Dafne) | Francesco Cavalli, Rosa Dominguez, Maria Hinojosa Montenegro, Ensemble Elyma, Gabriel Garrido | D Major | 1 | 10B | 115 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
L'Egisto, Act I Scene 9: Questo strale ch'è fatale (Amore, Bellezza, Volupia) | Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, Eugénie Lefebvre, Marielou Jacquard, Floriane Hasler | B Major | 1 | 1B | 113 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM |
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