"La vestale, Act I: Récit. Pour la dernière fois" by Gaspare Spontini, Marina Rebeka, Aude Extrémo, Les Talens Lyriques, Christophe Rousset was released on May 12, 2023. The duration of La vestale, Act I: Récit. Pour la dernière fois is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. La vestale, Act I: Récit. Pour la dernière fois's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Spontini: La vestale". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. La vestale, Act I: Récit. Pour la dernière fois is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La vestale, Act I: Récit. Pour la dernière fois by Gaspare Spontini, Marina Rebeka, Aude Extrémo, Les Talens Lyriques, Christophe Rousset having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): IV. Im Abendrot | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Requiem in E-Flat Minor: VI. Lacrymosa | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | ||
Don Giovanni, K.527 / Act 1: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Franz Bartolomey, Vienna Chamber Orchestra, György Fischer | D♭ Major | 2 | 3B | 74 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
La Fanciulla del West / Act 1: Che faranno i vecchi miei | Giacomo Puccini, Gwynne Howell, Francis Egerton, Paul Crook, Robin Leggate, Jonathan Summers, Tom McDonnell, William Elvin, John Dobson, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | G Major | 0 | 9B | 120 BPM | ||
La Vestale. Tragédie lyrique en trois actes: No.3: Allegro con moto | Gaspare Spontini, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | B♭ Major | 1 | 6B | 84 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM |
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