Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra made "Offenbach: La Princesse de Trébizonde, Act III: Choeur and couplets 'Voila le prince Casimir' (Cabriolo, Chorus, Casimir, Sparadrap, Raphael)" available on September 22, 2023. The duration of Offenbach: La Princesse de Trébizonde, Act III: Choeur and couplets 'Voila le prince Casimir' (Cabriolo, Chorus, Casimir, Sparadrap, Raphael) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Offenbach: La Princesse de Trébizonde, Act III: Choeur and couplets 'Voila le prince Casimir' (Cabriolo, Chorus, Casimir, Sparadrap, Raphael)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Offenbach: La Princesse de Trébizonde". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United Kingdom. Offenbach: La Princesse de Trébizonde, Act III: Choeur and couplets 'Voila le prince Casimir' (Cabriolo, Chorus, Casimir, Sparadrap, Raphael) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: La Princesse de Trébizonde, Act III: Choeur and couplets 'Voila le prince Casimir' (Cabriolo, Chorus, Casimir, Sparadrap, Raphael) by Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 5 | 6B | 131 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM |
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