"Jeesus koige ulem haa (arr. C. Kreek for choir)" by Cyrillus Kreek, Traditional, Estonian Philharmonic Chamber Choir, Daniel Reuss was released on April 3, 2012. With Jeesus koige ulem haa (arr. C. Kreek for choir) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Daniel Reuss's "Mendelssohn - Kreek: Psalms" album is number 14 out of 17. Jeesus koige ulem haa (arr. C. Kreek for choir) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jeesus koige ulem haa (arr. C. Kreek for choir) by Cyrillus Kreek, Traditional, Estonian Philharmonic Chamber Choir, Daniel Reuss to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Virgo prudentissima | Hilaire Penet, Alan Black, Pomerium | D Minor | 1 | 7A | 136 BPM | ||
Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM | ||
Jacob's Dream / Orthodox Vespers: Proemial Psalm | Cyrillus Kreek, Traditional, Anna-Liisa Eller, Angela Ambrosini, Marco Ambrosini, Vox Clamantis, Jaan-Eik Tulve | B♭ Major | 0 | 6B | 73 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Allegri: Miserere - 04. Ecce Enim Veritatem | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 71 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM |
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