Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati's 'Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): II. Allemande' came out on April 1, 2016. The duration of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): II. Allemande is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): II. Allemande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Bach & Handel: Transcriptions for Piano by Roberto Cominati. In terms of popularity, Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): II. Allemande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 2 in D Minor, BWV 1008 (Transc. L. Godowsky): II. Allemande by Johann Sebastian Bach, Leopold Godowsky, Roberto Cominati is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Flute Sonata in E Minor, BWV 1034: III. Andante | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo, Anssi Mattila | G Major | 0 | 9B | 102 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | A Minor | 2 | 8A | 113 BPM | ||
Violin Concerto in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Minor | 3 | 7A | 106 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |
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