"Concerto Grosso In D Major, Op. 6, No. 7 : II. Adagio" by Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana was released on May 22, 1991. With Concerto Grosso In D Major, Op. 6, No. 7 : II. Adagio being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 35 in Concerto Grossos Op. 6, Nos. 7-12 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Concerto Grosso In D Major, Op. 6, No. 7 : II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso In D Major, Op. 6, No. 7 : II. Adagio by Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In C Major, Op. 6, No. 10: V. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | B Minor | 2 | 10A | 82 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 1. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 99 BPM | ||
Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 2 | 4A | 95 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | E♭ Major | 2 | 5B | 86 BPM | ||
Oboe Concerto in D: 1. Allegro | Giovanni Battista Sammartini, Heinz Holliger, I Musici | A Major | 2 | 11B | 128 BPM | ||
Музыка На Воде. Сюита №3 Соль Мажор: No. 19 (Менуэт) | Ленинградский Камерный Оркестр | G Minor | 2 | 6A | 65 BPM | ||
Bassoon Concerto in C Major, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh | F♯ Major | 2 | 2B | 103 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM |
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