"Crown Imperial: A Coronation March" by William Walton, London Philharmonic Orchestra, Sir Roger Norrington was released on April 18, 2020. Since Crown Imperial: A Coronation March is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #135 out of 186 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Crown Imperial: A Coronation March is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Crown Imperial: A Coronation March by William Walton, London Philharmonic Orchestra, Sir Roger Norrington has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Crown Imperial: A Coronation March being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Crown Imperial (arr. W.J. Duthoit) | W.J. Duthoit, William Walton, Mary Preston, Dallas Wind Symphony, Jerry Junkin | C Major | 2 | 8B | 99 BPM | ||
Mariner Man Two for Two Cats and Trombone. Through Gilded Terraces | Edith Sitwell, William Walton | F Major | 1 | 7B | 124 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Five Bagatelles: III. Alla cubana | William Walton, Sean Shibe | B Minor | 0 | 10A | 95 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
3 Small Tone Poems: No. 3. Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 95 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM |
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