Giuseppe Valentini, Aura Musicale Ensemble's ' "Bizzarrie per camera No. 6 in E Major, Op. 2: II. Allegro" was released on its scheduled release date, July 15, 2014. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Valentini: 7 Bizzarrie Per Camera, Op. 2 (Complete) by Giuseppe Valentini, Aura Musicale Ensemble. The song's track number on the album is #26 out of 33 tracks. Based on our data, Hungary was the country where this track was produced or recorded. Based on our statistics, Bizzarrie per camera No. 6 in E Major, Op. 2: II. Allegro's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Bizzarrie per camera No. 6 in E Major, Op. 2: II. Allegro by Giuseppe Valentini, Aura Musicale Ensemble has a tempo of 149 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bizzarrie per camera No. 6 in E Major, Op. 2: II. Allegro being at 149 BPM, the half-time would be 74 BPM with a double-time of 298 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 8, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 3 | 11A | 111 BPM | ||
Concerto No. 10 In B Minor RV 580: I. Allegro | Accademia Bizantina | B♭ Minor | 3 | 3A | 123 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: I. Adagio | Francesco Geminiani, Capella Istropolitana | D Minor | 1 | 7A | 103 BPM | ||
Concerto grosso in G Minor, RV 156: II. Adagio | Antonio Vivaldi, Akademie für Alte Musik Berlin | G Minor | 2 | 6A | 65 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 2 | 2B | 129 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro primo, Concerto No. 1 in A Major: III. Adagio | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Odile Edouard, Alain Gervreau | E♭ Minor | 4 | 2A | 81 BPM |