Kristina Fuchs made "Chumm, mir wei ga Chirseli gwinne" available on January 10, 2009. Since Chumm, mir wei ga Chirseli gwinne is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kristina Fuchs's "Im Röseligarte" album is number 4 out of 11. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Chumm, mir wei ga Chirseli gwinne is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Chumm, mir wei ga Chirseli gwinne by Kristina Fuchs to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Een Muzikant Die Zat Voor 't Venster | Kristina Fuchs, Jeroen Van Vliet, Mete Erker | C Major | 2 | 8B | 125 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Finale. "Through the House" | Felix Mendelssohn, Otto Klemperer, Heather Harper, The Philharmonia Chorus, Philharmonia Orchestra | E♭ Major | 2 | 5B | 90 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | C Minor | 2 | 5A | 65 BPM | ||
H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Voi che sapete | Natalie Choquette | B♭ Major | 1 | 6B | 110 BPM | ||
Puccini: La Bohème, Act 3: "D'onde lieta usci" (Mimi) | Giacomo Puccini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Dieux ! Le malheur en tous lieux suit mes pas" - "De noirs pressentiments" (Thoas, Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Louis Quilico, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 4 | 10A | 114 BPM | ||
Quatre chansons françaises: No. 1, Nuits de juin | Benjamin Britten, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Lueget, vo Bergen und Tal | Kristina Fuchs | E♭ Major | 0 | 5B | 106 BPM |
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