"Stabat Mater - Ed. Smith: 1. Stabat Mater Dolorosa" by Giovanni Bononcini, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest had its release date on March 7, 1978. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 15 in Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus by Giovanni Bononcini, George Guest, Felicity Palmer, Philip Langridge, Paul Esswood, Christopher Keyte, Choir of St. John's College, Cambridge, London Philharmonic Orchestra. Stabat Mater - Ed. Smith: 1. Stabat Mater Dolorosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater - Ed. Smith: 1. Stabat Mater Dolorosa by Giovanni Bononcini, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa Sancti Spiritus, ZWV 4: Kyrie eleison II | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Concerto grosso in D Major, Op. 6 No. 4 (Arr. G.B. Columbro for 2 Traversos, Cello & Orchestra): I. Adagio - Allegro | Arcangelo Corelli, Giovanni Battista Columbro, Orchestra Barocca di Cremona | F♯ Major | 1 | 2B | 118 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 1, Mein Herze schwimmt im Blut | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | A Major | 1 | 11B | 87 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
La conversione di Maddalena, Pt. 1: No. 12, Odi l'etera | Giovanni Bononcini, La Venexiana, Francesca Lombardi Mazzulli, Gabriele Palomba | E Major | 1 | 12B | 54 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Laudate Pueri: VIII. Sicut erat | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Major | 1 | 8B | 61 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM |