"The 7 Virgins" by Angharad Rowlands, The Monteverdi Choir, John Eliot Gardiner was released on April 5, 2019. The duration of The 7 Virgins is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The 7 Virgins's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Love Is Come Again" album is number 1 out of 21. On top of that, United Kingdom appears to be the country where this track was created. The 7 Virgins is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The 7 Virgins by Angharad Rowlands, The Monteverdi Choir, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Membra Jesu nostri, BuxWV 75: Ic. Ad pedes: Clavos pedum, plagas duras | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. Quoniam | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | D Major | 3 | 10B | 123 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Tobit (arr. J.C. Smith): Part II Scene 1: Air: In great Jehovah (Tobit) | J. Christopher Smith, George Frideric Handel, Maya Boog, Linda Perillo, Barbara Hannigan, Alison Browner, Knut Schoch, Stephan MacLeod, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | F♯ Major | 1 | 2B | 80 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Der Herr ist mit mir, darum fürchte ich mich nicht, BuxWV 15 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | C Minor | 1 | 5A | 140 BPM | ||
L'Orfeo, SV 318: Act I: Muse, onor di Parnaso, amor del Cielo (Ninfa) | Claudio Monteverdi, Emanuela Galli, Mirko Guadagnini, Marina de Liso, Cristina Calzolari, Matteo Bellotto, José Maria Lo Monaco, Salvo Vitale, Vincenzo di Donato, Francesca Cassinari, Giovanni Caccamo, Makoto Sakurada, Claudio Cavina, Tony Corradini, La Venexiana | F Major | 2 | 7B | 0 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM |
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