"Lucia di Lammermoor / Act 3: "S'avanza Enrico"" by Gaetano Donizetti, Montserrat Caballé, Vincenzo Sardinero, Samuel Ramey, Ambrosian Opera Chorus, New Philharmonia Orchestra, Jesús López-Cobos was released on January 1, 2002. The duration of Lucia di Lammermoor / Act 3: "S'avanza Enrico" is about 3 minutes long, at 3:09. Based on our data, "Lucia di Lammermoor / Act 3: "S'avanza Enrico"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 37 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Montserrat Caballé, José Carreras, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos. Based on our statistics, Lucia di Lammermoor / Act 3: "S'avanza Enrico"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 3: "S'avanza Enrico" by Gaetano Donizetti, Montserrat Caballé, Vincenzo Sardinero, Samuel Ramey, Ambrosian Opera Chorus, New Philharmonia Orchestra, Jesús López-Cobos is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
Gianni Schicchi: "Povero Buoso!" | Giacomo Puccini, Eva Podles, Enrico Fissore, Roberto Alagna, Nicoletta Curiel, Orazio Mori, Giorgio Giorgetti, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | B♭ Minor | 1 | 3A | 66 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) | Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Minor | 1 | 7A | 58 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Don Pasquale, Act I Seconda Scena: E mia sorella! (Malatesta/Pasquale) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Minor | 4 | 5A | 126 BPM | ||
Linda di Chamounix: O luce di quest'anima | Gaetano Donizetti, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 2 | 4B | 141 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM |
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