On February 8, 2010, the song "Tau garçó la durundena - Bartomeu Cárceres" was released by Bartomeu Carceres, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI. The duration of Tau garçó la durundena - Bartomeu Cárceres is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Tau garçó la durundena - Bartomeu Cárceres's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 64 in the song's album "The Borgia Dynasty". In this album, this song's track order is #16. Based on our statistics, Tau garçó la durundena - Bartomeu Cárceres's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tau garçó la durundena - Bartomeu Cárceres by Bartomeu Carceres, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
Suite in E Minor: VI. Menuet | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 132 BPM | ||
Bacco, Bacco | Mattio Rampollini, Capilla Flamenca | F Major | 5 | 7B | 112 BPM | ||
Danserye: Basse danse: No. 1. Dont vient cela – Reprise – Dont vient cela | László Czidra, Tylman Susato, Camerata Hungarica | D Minor | 1 | 7A | 101 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Ricercar ottava | Vincenzo Capirola, Doulce Mémoire, Denis Raisin-Dadre | G Major | 1 | 9B | 82 BPM | ||
Queine of Ingland's Pavan & Gallyard | Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player | A Minor | 1 | 8A | 89 BPM | ||
Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
Finiit annus iter | Gregor Lange, Harmonia Recorder Ensemble | G Major | 0 | 9B | 69 BPM |
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