Traditional, Christophe Miles's 'Johan Sebastian Bach : Goldberg Variations, BWV 988 : Aria in G Major: Goldberg Variations, BWV 988 : Aria in G Major' came out on May 15, 2021. With this song being about 5 minutes long, at 4:42, "Johan Sebastian Bach : Goldberg Variations, BWV 988 : Aria in G Major: Goldberg Variations, BWV 988 : Aria in G Major" by Traditional, Christophe Miles is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 20 out of 20 in Bach & Baroque Miniature Masterpieces by Traditional, Christophe Miles. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Johan Sebastian Bach : Goldberg Variations, BWV 988 : Aria in G Major: Goldberg Variations, BWV 988 : Aria in G Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Johan Sebastian Bach : Goldberg Variations, BWV 988 : Aria in G Major: Goldberg Variations, BWV 988 : Aria in G Major by Traditional, Christophe Miles is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
Blessed Is The Man Who Seeks No Councel Among The Impious | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 0 | 7B | 127 BPM | ||
American Triptych: No. 2, The Peace of Wild Things | Jake Runestad, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 58 BPM | ||
Seek Ye First | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 75 BPM | ||
Final Angelus Bells | Monks Of The Abbey Of Notre Dame | D Minor | 1 | 7A | 76 BPM | ||
Pax Aeterna | Monks Of The Abbey Of Notre Dame | A♭ Major | 1 | 4B | 81 BPM | ||
Tant que vivrai | Claudin de Sermisy, Scholars of London | F Major | 1 | 7B | 72 BPM |
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