"10 Concert Etudes for Piano: No. 2, Vivace" by Grażyna Bacewicz, Peter Jablonski was released on February 4, 2022. With 10 Concert Etudes for Piano: No. 2, Vivace being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 20 in Bacewicz: Piano Works by Grażyna Bacewicz, Peter Jablonski. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. In terms of popularity, 10 Concert Etudes for Piano: No. 2, Vivace is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 10 Concert Etudes for Piano: No. 2, Vivace by Grażyna Bacewicz, Peter Jablonski is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 2 | 10B | 137 BPM | ||
Piano Quintet No.2: 2. Larghetto | Grażyna Bacewicz, Krystian Zimerman, Kaja Danczowska, Agata Szymczewska, Ryszard Groblewski, Rafal Kwiatkowski | A♭ Major | 0 | 4B | 109 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": I. Allegro ma non troppo | Antonín Dvořák, Pavel Haas Quartet | F Major | 1 | 7B | 111 BPM | ||
The Four Temperaments for Piano and String Orchestra: Var. 4. Cholerisch. Vivace | Paul Hindemith, Anna Gourari, Orchestra della Svizzera Italiana, Markus Poschner | C Major | 2 | 8B | 85 BPM | ||
Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 104 BPM | ||
Fountains Of Rome, P. 106: 3. The Trevi Fountain At Midday | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 105 BPM | ||
Violin Sonata No. 5: III. Finale. Allegro inquietamente | Grażyna Bacewicz, Joanna Kurkowicz, Gloria Chien | A Major | 2 | 11B | 101 BPM | ||
Suite in G Major: II. Andante | Ignacy Jan Paderewski, Capella Bydgostiensis, Mariusz Smolij | G Major | 1 | 9B | 152 BPM |
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