Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble's 'Shepherds, in the field abiding' had a release date set for September 1, 1991. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Shepherds, in the field abiding's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Shepherds, in the field abiding is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Shepherds, in the field abiding by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Are mou rindineddha | Christina Pluhar, Traditional, L'Arpeggiata, Katerina Papadopoulou | B Minor | 2 | 10A | 81 BPM | ||
Five Spirituals from "A Child of Our Time": I. Steal Away | Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra | G Major | 2 | 9B | 84 BPM | ||
Proprium Missae in Dominica: Offertorium - Comunio Ego Clamavi | Traditional, Slovenski Madrigalisti | G Minor | 0 | 6A | 133 BPM | ||
Songs Of Penitence For Russia | "The Orthodox Singers" Male Choir, Georgiy Smirnov | C Major | 0 | 8B | 111 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
The Arrival Of The Queen Of Sheba, From Solomon | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 3 | 11B | 118 BPM | ||
Magnificent cum Alleluia (Song of Praise) | Nóirín Ní Riain | G Minor | 1 | 6A | 107 BPM | ||
Attende, Domine (Preces) | Capella Gregoriana Easo | D Major | 1 | 10B | 71 BPM |