"The Card Suite: III. Denry and Nellie" by William Alwyn, Rumon Gamba, BBC Philharmonic Orchestra was released on November 1, 2001. The duration of The Card Suite: III. Denry and Nellie is about 3 minutes long, at 3:11. Based on our data, "The Card Suite: III. Denry and Nellie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "The Film Music of William Alwyn, Vol. 2". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Card Suite: III. Denry and Nellie is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Card Suite: III. Denry and Nellie by William Alwyn, Rumon Gamba, BBC Philharmonic Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
Odd Man Out Suite: I. Prelude. Lento funebre | William Alwyn, Richard Hickox, London Symphony Orchestra | C Minor | 2 | 5A | 79 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM |
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