"Meyerbeer: Le pardon de Ploërmel "Dinorah", Act II: "Ombre légère qui suis mes pas" (Dinorah)" by Giacomo Meyerbeer, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra was released on February 18, 1997. Since Meyerbeer: Le pardon de Ploërmel "Dinorah", Act II: "Ombre légère qui suis mes pas" (Dinorah) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Natalie Dessay - Airs d'Opéras Francais". In this album, this song's track order is #4. The popularity of Meyerbeer: Le pardon de Ploërmel "Dinorah", Act II: "Ombre légère qui suis mes pas" (Dinorah) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Meyerbeer: Le pardon de Ploërmel "Dinorah", Act II: "Ombre légère qui suis mes pas" (Dinorah) by Giacomo Meyerbeer, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Robert le diable, Act 4: "Frappez les airs, cris d'allègresse" (Chorus) | Giacomo Meyerbeer, Coro del Teatro dell'Opera di Salerno, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | G Major | 2 | 9B | 130 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": IV. Tema con variazioni. Andantino | Franz Schubert, Rudolf Serkin | E Major | 0 | 12B | 89 BPM | ||
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM |
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