"St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov)" by Modest Mussorgsky, Nikolai Rimsky-Korsakov, Finnish Radio Symphony Orchestra, Leif Segerstam was released on January 31, 1986. St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) appears to be safe for all ages as it is not explicit. The track order of this song in Modest Mussorgsky, Finnish Radio Symphony Orchestra, Leif Segerstam, Neeme Järvi's "Mussorgsky: Pictures at an Exhibition / St. John's Night On Bald Mountain" album is number 17 out of 21. On top of that, Sweden appears to be the country where this track was created. St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) by Modest Mussorgsky, Nikolai Rimsky-Korsakov, Finnish Radio Symphony Orchestra, Leif Segerstam to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Masquerade, Ballet Music - Suite from the Music to the "Drama of Lermontov": I. Waltz | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Symphony Orchestra | C Major | 5 | 8B | 97 BPM | ||
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Dance of the goblins | Antonio Bazzini, Razvan Stoica | C Major | 4 | 8B | 177 BPM |
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