Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra made "Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 3. Presto. Molto allegro e vivace" available on February 1, 2019. Since Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 3. Presto. Molto allegro e vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra's "Mendelssohn" album is number 3 out of 27. In terms of popularity, Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 3. Presto. Molto allegro e vivace is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 3. Presto. Molto allegro e vivace by Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nachtstücke, Op. 23: I. Mehr langsam, oft zurückhaltend | Robert Schumann, Jan Lisiecki | B Major | 2 | 1B | 88 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Images I, L. 110: 1. Reflets dans l'eau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Wieniawski : Légende Op.17 | Henryk Wieniawski, Maxim Vengerov | G Minor | 1 | 6A | 81 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": I. Adagio - Allegro | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM |
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