- BPM
- 135
- Key
- F Minor
- Camelot
- 4A
Se pieta - George Frideric Handel, Musica Sequenza, Burak Ozdemir Information
- Acousticness
- 72%
- Danceability
- 39%
- Energy
- 16%
- Instrumentalness
- 94%
- Liveness
- 12%
- Loudness
- 64%
- Speechiness
- 3%
- Valence
- 21%
- Popularity
- 6%
- Loudness
- -21.741 dB
Summary
George Frideric Handel, Musica Sequenza, Burak Ozdemir's 'Se pieta' came out on June 10, 2016. Se pieta is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Sampling Baroque Handel". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Se pieta's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Se pieta BPM
With Se pieta by George Frideric Handel, Musica Sequenza, Burak Ozdemir having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
Se pieta Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | |
 | Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | |
| Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | |
 | Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | |
 | Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | |
 | Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | |
 | Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | |
 | Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM |
- ISRC
- DEE471600117
- Label
- L-M Records/RCA Records
Section: 0.7405948638916016
End: 0.7489933967590332