"Tristan und Isolde, WWV 90: Prelude to Act 1" by Richard Wagner, Berliner Philharmoniker, Wilhelm Furtwängler was released on August 30, 2019. Tristan und Isolde, WWV 90: Prelude to Act 1 appears to be safe for all ages as it is not explicit. This song is part of Wilhelm Furtwängler: Early Polydor Recordings (Vol. 3) by Wilhelm Furtwängler. The song's track number on the album is #5 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Tristan und Isolde, WWV 90: Prelude to Act 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90: Prelude to Act 1 by Richard Wagner, Berliner Philharmoniker, Wilhelm Furtwängler has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tristan und Isolde, WWV 90: Prelude to Act 1 being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold, WWV 86A, Scene 4: Scene 4: Abendlich strahlt der Sonne Auge (Wotan) | Richard Wagner, Matthias Goerne, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Minor | 6 | 4A | 178 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Wagner: Lohengrin: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Pictures At An Exhibition: Bydlo | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A Major | 0 | 11B | 101 BPM | ||
Stravinsky: Symphony in C: I. Moderato alla breve | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | C Major | 0 | 8B | 147 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Parsifal: Prelude to Act I | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | A♭ Minor | 0 | 1A | 87 BPM |
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