"Don Carlos, Act III: Act III Scene 2: Mio Carlo, a te la spada io rendo (Philip, Carlo, Lerma, Eboli, Inquisitor, Chorus)" by Giuseppe Verdi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Ruggero Raimondi, José Carreras, Matti Salminen, Agnes Baltsa, Ewald Aichberger, Herbert von Karajan was released on January 1, 2016. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Don Carlos by Giuseppe Verdi, Mirella Freni, José Carreras, Ruggero Raimondi, Vienna State Opera Orchestra, Herbert von Karajan. The song's track number on the album is #4 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Don Carlos, Act III: Act III Scene 2: Mio Carlo, a te la spada io rendo (Philip, Carlo, Lerma, Eboli, Inquisitor, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Don Carlos, Act III: Act III Scene 2: Mio Carlo, a te la spada io rendo (Philip, Carlo, Lerma, Eboli, Inquisitor, Chorus) by Giuseppe Verdi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Ruggero Raimondi, José Carreras, Matti Salminen, Agnes Baltsa, Ewald Aichberger, Herbert von Karajan has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Don Carlos, Act III: Act III Scene 2: Mio Carlo, a te la spada io rendo (Philip, Carlo, Lerma, Eboli, Inquisitor, Chorus) being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM | ||
Ah, si, ben mio coll'essere | Giuseppe Verdi, Plácido Domingo, Ryland Davies, Zubin Mehta, New Philharmonia Orchestra | E Minor | 1 | 9A | 105 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Madama Butterfly / Act 2: Un bel dì vedremo | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 77 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, June Anderson, Piero de Palma, Carlo de Bortoli, Roberto Scaltriti, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 77 BPM |
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