César Cui, Christoph Deluze's 'Prelude, Op. 64 No. 14 in B Flat Minor: Moderato' came out on January 1, 2004. The duration of Prelude, Op. 64 No. 14 in B Flat Minor: Moderato is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Prelude, Op. 64 No. 14 in B Flat Minor: Moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Cui: Piano Works by César Cui, Christoph Deluze. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Prelude, Op. 64 No. 14 in B Flat Minor: Moderato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Prelude, Op. 64 No. 14 in B Flat Minor: Moderato by César Cui, Christoph Deluze is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
7 Miniatures, Op. 39 (Arr. A. Schaefer for Piano 4 Hands): No. 5, Au berceau | César Cui, Maria Ivanova, Alexander Zagarinskiy | C Major | 1 | 8B | 127 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
24 Children's Pieces, Op. 25: No. 15. Lullaby: Moderato | Viktor Stepanovych Kosenko, Natalya Shkoda | D♭ Major | 0 | 3B | 81 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM |
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