David Bowie, Eugene Ormandy's 'Peter and the Wolf, Op. 67: Peter Prepares to Catch the Wolf' came out on 1988. With Peter and the Wolf, Op. 67: Peter Prepares to Catch the Wolf being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 41 in David Bowie Narrates Peter And The Wolf by David Bowie. Peter and the Wolf, Op. 67: Peter Prepares to Catch the Wolf is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter and the Wolf, Op. 67: Peter Prepares to Catch the Wolf by David Bowie, Eugene Ormandy is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30: Das Tanzlied - Das Nachtlied | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | C Major | 0 | 8B | 77 BPM | ||
Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | E Major | 0 | 12B | 59 BPM | ||
Peter and the Wolf, Op. 67: IX. The Wolf Swallows the Duck | Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra | G Major | 1 | 9B | 132 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 2: 15a. Pas d'action (Vision of Aurora) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti, Jean Decroos | F Major | 0 | 7B | 122 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe | A Minor | 3 | 8A | 121 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät" | Gustav Mahler, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F♯ Major | 0 | 2B | 85 BPM | ||
Giselle: No. 18 - Allegro | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 95 BPM | ||
Peter and the Wolf, Op. 67 (narrated in Spanish): El abuelo | Sergei Prokofiev, Antonio Banderas, Russian National Orchestra, Kent Nagano | B Minor | 0 | 10A | 79 BPM | ||
Respighi: Fontane di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | C Major | 1 | 8B | 112 BPM |
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