Henry Purcell, Academy of Ancient Music, Christopher Hogwood made "The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig" available on January 1, 1990. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 135 in the song's album "Purcell: Theatre Music". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Old Bachelor, Z.607: Rondeau - Menuet - Boree - March - Jig by Henry Purcell, Academy of Ancient Music, Christopher Hogwood having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Sonate, correnti et arie, Op. 4: Sonata No. 26 "La Prosperina" | Marco Uccellini, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Concerti Ecclesiastici: No. 49, Sonata à 3 | Giovanni Paolo Cima, London Baroque | A♭ Minor | 2 | 1A | 52 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in E minor, Op. 6, No. 3: 2. Andante | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E♭ Minor | 1 | 2A | 104 BPM | ||
Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
Trumpet Tune | Bertalan Hock, György Geiger, Henry Purcell | D Major | 2 | 10B | 101 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach, Il Giardino Armonico, Enrico Onofri, Marco Cera, Paolo Grazzi, Trompeten-Consort Innsbruck, Giovanni Antonini | D♭ Major | 4 | 3B | 114 BPM | ||
Sonata II In G Minor: V. Aria (Muffat) | Georg Muffat, Masques, Olivier Fortin | A Major | 1 | 11B | 125 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM |
Section: 0.6078512668609619
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