Il Fásolo, Le Poème Harmonique, Vincent Dumestre's 'Bergamasca: La Barchetta passaggiera' had a release date set for 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Il Fásolo, Le Poème Harmonique, Vincent Dumestre's "Il Fásolo?" album is number 1 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Bergamasca: La Barchetta passaggiera's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bergamasca: La Barchetta passaggiera by Il Fásolo, Le Poème Harmonique, Vincent Dumestre to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
À Paris sur le petit pont | Pierre Guédron, Véronique Bourin, Doulce Mémoire, Denis Raisin-Dadre | E♭ Major | 1 | 5B | 78 BPM | ||
Ciaccona in G major | Alessandro Piccinini, David Miller, Harry Christophers, The Sixteen | G Major | 0 | 9B | 82 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Dies irae, LWV 64/1: Dies irae dies illa | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | F Minor | 3 | 4A | 115 BPM | ||
Canarios. Tablature Di Chitarrone Livre 4 | Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM |