Gérard Souzay's 'Chausson: Les Papillons' came out on 2005. With Chausson: Les Papillons being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gérard Souzay's "Mélodies Françaises Pour Bariton" album is number 3 out of 30. Based on our statistics, Chausson: Les Papillons's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chausson: Les Papillons by Gérard Souzay to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
「3つのシェイクスピアの歌」Op.6 第1曲 来たれ 死よ | ロジャー・クィルター, 上村誠一, 松下倫士 | C Minor | 0 | 5A | 69 BPM | ||
Delage: 4 poèmes hindous: III. Bénarès | Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Minor | 1 | 8A | 64 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
Manon / Act 1: "Il vous parlait, Manon?...Regardez-moi bien dans les yeux" | Jules Massenet, Beverly Sills, Gérard Souzay, New Philharmonia Orchestra, Julius Rudel, Ambrosian Opera Chorus, John McCarthy | A Major | 1 | 11B | 140 BPM | ||
Études Latines: "Tyndaris" | Reynaldo Hahn, Susan Graham | A♭ Major | 0 | 4B | 106 BPM | ||
Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 101 BPM | ||
Faure: En sourdine | Gérard Souzay | F Minor | 1 | 4A | 128 BPM | ||
Britten: Folksong Arrangements, Book 1 "British Isles": No. 1, The Salley Gardens | Benjamin Britten, Robert Tear, Philip Ledger | D♭ Major | 1 | 3B | 112 BPM | ||
Dichterliebe, Op. 48: No. 6, Im Rhein, im heiligen Strome | Robert Schumann, Gérard Souzay, Jacqueline Bonneau | G Minor | 1 | 6A | 100 BPM |
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