"Orpheus Behind the Wire: I. What was Hell like?" by Hans Werner Henze, Danish National Radio Chamber Choir, Stefan Parkman, Karl-Gustav Andersson was released on July 1, 1991. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Danish National Radio Chamber Choir, Stefan Parkman's "Masters of Twentieth-century A Cappella" album is number 2 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Orpheus Behind the Wire: I. What was Hell like? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orpheus Behind the Wire: I. What was Hell like? by Hans Werner Henze, Danish National Radio Chamber Choir, Stefan Parkman, Karl-Gustav Andersson to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Los caprichos: No. 3, Der Schlaf der Vernunft gebiert Ungeheuer | Hans Werner Henze, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Minor | 1 | 3A | 94 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Kammermusik 1958: X. Wenn einer in den Spiegel siehet | Hans Werner Henze, Peter Gijsbertsen, Jurgen Ruck, NDR-Sinfonieorchester, Peter Ruzicka | G Minor | 0 | 6A | 78 BPM | ||
Los caprichos: No. 6, An welcher Krankheit wird er sterben? | Hans Werner Henze, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Minor | 1 | 3A | 94 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Violin Concerto: III. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 2 | 8B | 85 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Duo concertant, K54: II. Eglogue I | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM |
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