"Los caprichos: No. 3, Der Schlaf der Vernunft gebiert Ungeheuer" by Hans Werner Henze, ORF Vienna Radio Symphony Orchestra, Marin Alsop had its release date on January 14, 2022. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hans Werner Henze, ORF Vienna Radio Symphony Orchestra, Marin Alsop, Narek Hakhnazaryan, Juliane Banse's "Henze: Nachtstücke und Arien, Los caprichos & Englische Liebeslieder" album is number 8 out of 20. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Los caprichos: No. 3, Der Schlaf der Vernunft gebiert Ungeheuer is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Los caprichos: No. 3, Der Schlaf der Vernunft gebiert Ungeheuer by Hans Werner Henze, ORF Vienna Radio Symphony Orchestra, Marin Alsop to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Carillon, Récitatif and Masque for Mandolin, Guitar, Harp: III. Masque | Hans Werner Henze, Avi Avital, Sean Shibe, Anneleen Lenaerts | E Minor | 2 | 9A | 106 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: No. 3, Elegia. Adagio | Anton Arensky, Smetana Trio | G Minor | 0 | 6A | 89 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): VII. Finale (after Prelude No. 24) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | C Major | 1 | 8B | 97 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM |