Traditional, Vladimir Matygulin, The Male Choir of the Valaam Singing Culture Institute, Igor Ushakov's 'The Ravaged Road (Arr. K. Nikitin for Voice & Male Choir)' had a release date set for July 1, 2002. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Songs & Marches of the Russian Imperial Army". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Czechia. The Ravaged Road (Arr. K. Nikitin for Voice & Male Choir) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Ravaged Road (Arr. K. Nikitin for Voice & Male Choir) by Traditional, Vladimir Matygulin, The Male Choir of the Valaam Singing Culture Institute, Igor Ushakov having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
Akathistos Hymn: Kontakion | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 83 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": I. Hymnus peregrinorum "Dum pater familias" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | E Minor | 3 | 9A | 82 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): Introduction: O Lord, save the pious | Georgy Sviridov, Nazar Yakobenchuk, Credo Chamber Choir, Bogdan Plish | B♭ Minor | 0 | 3A | 79 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Je Ne L'Ose Dire | Pierre Certon, Grex Vocalis, Carl Høgset | G Minor | 1 | 6A | 128 BPM | ||
Credo III | Dan Gibson's Solitudes | D Major | 2 | 10B | 81 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM |