"Missa Quadragesimalis, MH 552: Agnus Dei" by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi was released on July 15, 2014. With Missa Quadragesimalis, MH 552: Agnus Dei being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 20 out of 28. On top of that, Hungary appears to be the country where this track was created. Missa Quadragesimalis, MH 552: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Quadragesimalis, MH 552: Agnus Dei by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Larghissimo because the track has a tempo of 0 テンポ, a half-time of 0テンポ, and a double-time of 0 テンポ. Based on that, the speed of the song's tempo is slow.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Versus: Hostias | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | G Minor | 1 | 6A | 104 BPM | ||
The Lamentations Of Jeremiah: 1. Incipit lamentatio | Thomas Tallis, The Hilliard Ensemble | D Minor | 1 | 7A | 133 BPM | ||
Missa Sancti Pauli: No. 25, Agnus Dei | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Minor | 3 | 7A | 121 BPM | ||
Holy Spirit Mass: Fount of Life: Glory | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 4 | 6B | 80 BPM | ||
Покаяния отверзи ми двери | St. Peter St. Paul Cathedral Choir of Minsk | G Major | 2 | 9B | 66 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Asperges Me - Chant Mass | OCP Session Choir | D Major | 1 | 10B | 103 BPM | ||
Kyrie eleison (monody) | Kiev Chamber Choir | G Minor | 0 | 6A | 75 BPM | ||
Audite, silete | Michael Praetorius, Capella Vocalis Boys Choir, Eckhard Weyand | D♭ Minor | 1 | 12A | 101 BPM | ||
De profundis | Antonio Salieri, West German Radio Chorus, West German Radio Symphony Orchestra, Helmut Froschauer | F Minor | 1 | 4A | 77 BPM |