"The Vanishing Bridegroom, Act I: Gone!" by Judith Weir, Christopher Bowen, Edward Goater, Edward Price, BBC Singers, BBC Symphony Orchestra, Martyn Brabbins had its release date on September 2, 2014. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #5 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Vanishing Bridegroom, Act I: Gone! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Vanishing Bridegroom, Act I: Gone! by Judith Weir, Christopher Bowen, Edward Goater, Edward Price, BBC Singers, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Vanishing Bridegroom, Act I: Gone! being at 59 テンポ, the half-time would be 30 テンポ with a double-time of 118 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
Mass In Blue, Op. 28: II. Gloria | Will Todd, Bethany Halliday, Jim Fleeman, Gareth Huw, Jeremy Backhouse | G Minor | 4 | 6A | 100 BPM | ||
The Passing of the Year: No. 7. Ring out, wild bells | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | C Major | 1 | 8B | 89 BPM | ||
Pocket Poetry No. 1: III. Daily Issues | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Be Still and Know That I Am God | Oasis Chorale, Wendell Nisly | D Major | 1 | 10B | 132 BPM | ||
Ad Pacem (Towards Peace) | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | D Major | 0 | 10B | 83 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |