César Cui, Césa Cui, Schrello Classic's 'Orientale No.9, Op. 50 from Kaleidoscope - Arr. cello & piano' came out on October 20, 2023. With Orientale No.9, Op. 50 from Kaleidoscope - Arr. cello & piano being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Orientale No.9, Op. 50 from Kaleidoscope (Arr. cello & piano) only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Orientale No.9, Op. 50 from Kaleidoscope - Arr. cello & piano is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orientale No.9, Op. 50 from Kaleidoscope - Arr. cello & piano by César Cui, Césa Cui, Schrello Classic having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
Mordecai's Dance | Vintage Realm | A♭ Minor | 2 | 1A | 120 BPM | ||
Funeral March - Live; arr. cello quartet | Schrello Classic | F Major | 1 | 7B | 101 BPM | ||
Cavatina - from "The Deer Hunter (Voyage au bout de l'enfer)" | Stanley Myers, Jean-Michel Bernard | G Minor | 2 | 6A | 75 BPM | ||
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM | ||
Album - Odjavna Tema | Dalibor Grubacevic, Miroslav Evacic | F♯ Major | 1 | 2B | 32 BPM | ||
願いがかなうなら (withチェロ) | Yukie Nishimura | D Major | 2 | 10B | 116 BPM | ||
Aria da suonare XIX col violoncello e spinetta o violone: I.Adagio | Giulio Taglietti, Hanna Salzenstein, Thibaut Roussel | C Major | 2 | 8B | 97 BPM | ||
Memories of Valse | Ganna Sorbat, Dzintra Erliha | D Minor | 2 | 7A | 150 BPM | ||
Arrivée à Paris | Alexei Aigui | F♯ Minor | 1 | 11A | 129 BPM |