"An Die Einsamkeit K.391" by Teresa Ringholz was released on January 1, 2006. The duration of An Die Einsamkeit K.391 is about 3 minutes long, at 3:17. Based on our data, "An Die Einsamkeit K.391" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Teresa Ringholz's "Mozart Songs: Volume 1" album is number 15 out of 17. In terms of popularity, An Die Einsamkeit K.391 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An Die Einsamkeit K.391 by Teresa Ringholz to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, Act I: Hm! hm! hm! hm! | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | A Minor | 7 | 8A | 130 BPM | ||
Stabat Mater, FP 148: II. Cujus animam gementem | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | B♭ Minor | 3 | 3A | 75 BPM | ||
Donizetti: Roberto Devereux, Act 1: "L'amor suo mi fe' beata" (Elisabetta) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 106 BPM | ||
La scala di seta: IV. Duetto | Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra | F Major | 1 | 7B | 93 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Lied Der Freiheit K.506 | Teresa Ringholz | F Major | 0 | 7B | 112 BPM | ||
Requiem, Responsorium: III. Dum veneris | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Major | 1 | 8B | 113 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "All'idea di quel metallo" (Figaro, Count Almaviva) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Luigi Alva, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM |