"Casta Diva (From the Opera "Norma") - Paris 1958" by Maria Callas, Orchestre du théatre national de l'opera, Georges Sébastien, Choeur du théâtre national de l'opéra was released on December 13, 2017. Since Casta Diva (From the Opera "Norma") - Paris 1958 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Maria by Callas (Bande originale du film)" album is number 5 out of 27. Casta Diva (From the Opera "Norma") - Paris 1958 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Casta Diva (From the Opera "Norma") - Paris 1958 by Maria Callas, Orchestre du théatre national de l'opera, Georges Sébastien, Choeur du théâtre national de l'opéra to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Song My Mother Taught Me | Antonín Dvořák, Barrington Pheloung, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
Carmen (1997 - Remaster), Act II: Enfin c'est toi!...Tout doux, Monsieur | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 83 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Ponchielli: La Gioconda, Act 2: "II mio braccio t'afferra!" (Gioconda, Laura) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano | B♭ Minor | 2 | 3A | 63 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
Addio del passato (From the Opera "Traviata") - Lisbonne 1958 | Maria Callas, Orchestre Sinfónica Nacional, Franco Ghione | F Major | 1 | 7B | 165 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Il Barbiere di Siviglia, '(The) Barber of Seville' (2003 - Remaster), ACT 1: Una voce poco fa | Gioachino Rossini, Maria Callas, Nicola Rescigno | E Major | 1 | 12B | 130 BPM | ||
Ave Maria - Remastered | Giulio Caccini, Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | E♭ Major | 2 | 5B | 83 BPM |