Wolfgang Amadeus Mozart, Irene Cantos's '12 Petite Pieces Pour Le Clavecin: No. 8 Andante' came out on March 26, 2024. With 12 Petite Pieces Pour Le Clavecin: No. 8 Andante being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in Andante. Piano Works by Mozart and Haydn by Irene Cantos, Wolfgang Amadeus Mozart, Robert Schumann, Joseph Haydn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 12 Petite Pieces Pour Le Clavecin: No. 8 Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Petite Pieces Pour Le Clavecin: No. 8 Andante by Wolfgang Amadeus Mozart, Irene Cantos is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Jazz Preludes, Op. 53: No. 11 | Nikolai Kapustin, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
6 Favoritwalzer: No. 2, J. 144 | Carl Maria von Weber, Michael Endres | D Minor | 0 | 7A | 72 BPM | ||
Gnossienne No. 6 | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
Capriccio in B-Flat Major, BWV 992: V. Aria Di Postiglione | Johann Sebastian Bach, Irene Cantos | G Major | 3 | 9B | 43 BPM | ||
Sonata in C Major, Hob. XVI: 1: I. Allegro | Joseph Haydn, Chen Xueyuan | A Minor | 1 | 8A | 136 BPM | ||
Sonate Brillante C-Moll: III. Adagio. Con Molto Espressione | Delphine von Schauroth, Arcadie Triboi | F Major | 0 | 7B | 68 BPM | ||
Sonatine bureaucratique | Erik Satie, Yitkin Seow | F Major | 0 | 7B | 68 BPM | ||
14 Bagatelles Sz. 38: No. 1 Molto Sostenuto | Béla Bartók, Irene Cantos | E Minor | 0 | 9A | 107 BPM | ||
Entr'acte No. 5 - Duo-Art 8004 | Andre Ernest Gretry, Arthur De Greef, Peter Phillips | B♭ Major | 1 | 6B | 136 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky" (Excerpts Arr. P. Breiner for Piano): II. Poco adagio | Antonín Dvořák, Peter Breiner | D♭ Minor | 0 | 12A | 126 BPM |