"24 Jazz Preludes, Op. 53: No. 11" by Nikolai Kapustin, Yuja Wang was released on May 3, 2024. The duration of 24 Jazz Preludes, Op. 53: No. 11 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 24 Jazz Preludes, Op. 53: No. 11's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Vienna Recital". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, 24 Jazz Preludes, Op. 53: No. 11's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Jazz Preludes, Op. 53: No. 11 by Nikolai Kapustin, Yuja Wang having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fruhling. Op. 57.: No. 3, Blumenstuck - Duo-Art 66448 | Moritz Moszkowski, Rudolph Reuter, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Adagio in B Minor K. 540 - Welte-Mignon 621 | Wolfgang Amadeus Mozart, Peter Phillips, Fritz von Bose | A Major | 1 | 11B | 72 BPM | ||
Danzón No. 2 (Transcr. Gómez-Tagle for Piano) | Arturo Márquez, Yuja Wang | A Minor | 2 | 8A | 117 BPM | ||
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM | ||
Caprice | Brad Mehldau | E♭ Major | 0 | 5B | 63 BPM | ||
Pictures at an Exhibition: Gnomus. Sempre vivo | Modest Mussorgsky, Ivo Pogorelich | D Minor | 0 | 7A | 63 BPM | ||
Suite bergamasque, CD 82: II. Menuet | Claude Debussy, Angela Hewitt | F♯ Major | 0 | 2B | 67 BPM | ||
Intermezzo from L'amour Des Trois Oranges | Sergei Prokofiev, Manuel del Corral | B Minor | 3 | 10A | 120 BPM | ||
La Belle et la Bête - Arr. for Piano duet: II. Les soeurs | Philip Glass, Katia Labèque, Marielle Labèque | A♭ Major | 2 | 4B | 146 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM |